The Brown Institute for Media Innovation at the Columbia Journalism School and the School of Engineering at Stanford University invite you to apply to the Media Innovation Base Camps taking place on November 12-13, 2016 at Columbia University in New York City, and on January 14-15, 2017 at Stanford University in Palo Alto. The Media Innovation Base Camp offers a great starting point for entrepreneurial students who want to explore the interplay between story and technology, creating new ways to inform and delight.
Are you passionate about the role that emerging technologies can play in the future of storytelling and journalism? Do you have a story taht can only be told using technology outside the scope of traditional media? Base Camp is for you!
For each Base Camp, we will assemble a cohort of 12-15 students from each campus. In November, engineering students from Stanford will travel to New York to work with journalism students at Columbia, and in January we flip, sending Columbia students to the Bay Area. (All expenses are paid, of course!) Each cohort, a mix of engineers and journalists, will learn about interdisciplinary collaboration, exploring new forms of storytelling.
Our goal at Base Camp is to introduce students to a design process customized for journalistic innovation, with a potential byproduct being a new idea that might lead to a one-year “Magic Grant” project — you can read about the Brown Institute's Magic Grant program here. Brown Institute Fellows, industry experts, and faculty will be on hand to provide feedback, guidance, and support. You don’t need to have a fleshed-out idea to apply for these events — the Base Camp is designed to give you space to develop your ideas, collaboratively.
Apply at brown.submittable.com.
Magic Grantees Alyson Martin and Nushin Rashidian are featured on the NiemanReports website with a piece entitled "Why Cannabis Coverage Needs to be a Serious Beat." During their time with Brown, Martin and Rashidian created Cannabis Wire, a single-subject news site that "provides smart coverage of the global cannabis industry through original, in-depth nonpartisan reporting and analysis." Their article for Nieman presents the complexity of reporting on the medical, legal and economic dimensions of cannabis. They write:
"At a time when roughly 200 million Americans live in a state with some form of legalized cannabis, the need for in-depth reporting about the drug is urgent. Patients, doctors, researchers, regulators, recreational consumers, and industry members are arguing over whether to focus on the plant’s pharmaceutical potential or to treat cannabis like alcohol... Many journalists find themselves in new or unfamiliar roles, sometimes taking positions, sometimes becoming part of the story."
More than 200 people turned out for the first annual Brown Institute Media Innovation Showcase last night at Stanford University. The event recognized the innovative work of 12 Magic Grant teams and Brown Fellows from the 2016 cohort who presented and demoed their projects—some for the first time. Read on.
Lisa Riordan Seville and Zara Katz, fellows of our Photography Expanded program, and photographer Zora J. Murff are exhibiting an installation of photography, video and, yes, data visualization, at the Photoville festival in Brooklyn Bridge Park. "Women on the Outside" accompanies Kristal Bush as she drives from Philadelphia to the state prisons in Smithfield and Huntingdon. Kristal knows these routes well - she runs a van service that takes families and friends to visit their loved ones in prison. "Women on the Outside" is about one trip in Kristal's van and the relationships between the women who rode with her. The Village Voice wrote that the exhibition "conveys the bonds, and moments of joy, that take shape amid this new kind of family." The installation was also mentioned in The New York Times's coverage of Photoville.
The Brown Institute partnered with the Magnum Foundation to support Riordan and Katz with this project. Our own Michael Krisch contributed some powerful data depictions of the Pennsylvania prison system, putting Kristal's ride into context. Photoville closes Sunday, September 25. See it if you can.
The Brown Institute began it's 2016-2017 Transparency Series with a day-long workshop on opinion polls. Harry Enten and Neil Paine from FiveThirtyEight introduced 25 students to the complexities of modern polling. Many organizations conduct polls. But they can provide different, often conflicting impressions of public opinion. Enten, a political writer, and Paine, a sports reporter and data journalist, introduced students to the broad strategies and technical tools for making sense of poll results. Part art, part science, their approach rarely considers a single poll in isolation, but is instead informed by deep knowledge of the polling organizations, historical precedents for specific relationships between polls, and computational methods combining poll numbers.
Enten has an impressive portfolio of stories and shared his experiences with students. This was not a dry, technical exercise. Enten's work is computational, but he is a first rate journalist. He cautioned students not to dive into a data set without a basic question to answer. We followed his process with exercises using the Roper Center's extensive archive of polling questions. This incredible resource provides a detailed view of the public's opinion over decades. Enten shared his other "go to" data sources and data analysis strategies, using some of his reported stories as examples. Paine introduced R, an increasingly common tool among data journalists. (In the first Transparency Series session of 2015-2016, Amanda Cox of the New York Times demonstrated her use of R for creating visualizations.) Through a handful of basic constructions, we learned how to implement Enten's strategies, and, in the process, experienced simple programming as a powerful tool for finding stories in data.
We can't thank Enten and Paine enough for sharing their weekend with us. It was an incredible glimpse into an extremely timely topic.
The Brown Institute was delighted to host a portion of the New York Media Lab Summit 2016. The day-long event featured talks, demonstrations and workshops, and was billed as a platform for the best "talent in digital media from universities in NYC and beyond." Brown organized a session on The New York Times's coverage of the 2016 Olympics in Rio. Joe Ward, Sports Graphics Editor for the outlet, and Rodrigo De Benito Sanz, a Graphics and Multimedia Editor, spoke to a standing room only crowd of over 100. They explained the special role that Sports plays as a testing ground for new ways to tell stories. Ward and Sanz gave us a rare view into their creative process, talking us through custom backend publishing systems to unique consumer-facing experiences. And of course, they walked us through their impressive visuals and interactives - it was hard not to appreciate the artistry, visual sophistication and attention to detail. Given the complexity of the Times's coverage, it's perhaps not surprising that Ward and Sanz have started preparing for the next Olympic games in PyeongChang, South Korea. They're only 16 months away!
On September 15, the Brown Institute welcomed Joanna Coles, Hearst's first Chief Content Officer. Coles spoke to about 100 students on the lawn outside the Mathematics Building on the Columbia Campus. Just a week before her visit, Coles was promoted from Editor-in-Chief of Cosmopolitan, a position she held since 2012, to the head of content at Hearst.
We asked her about her time as a journalist, an editor and now as a collaborator with technology firms. Coles spoke of her experiences with platforms like Twitter, Facebook and Google. Personally? "Twitter is an art form," she said. But professionally, she's seen friction between tech and "content," the stories we prize as journalists. Part of her new job is to figure out whether Hearst should try to repackage its material to reach the audiences of a particular platform, or partner with tech startups to create new platforms and build new audiences starting with Hearst content. Coles is a member of the board of Snapchat, and described her experience designing Cosmopolitan content for the app's new Discover feature. Coles said that Shapchat's Discover is "the hottest emerging platform for news." We also asked Coles about other aspects of the tech and content divide, including the well-known gender gap in fields like computer science.
In addition to tech talk, we asked Coles about Cosmopolitan. Just a day before her visit, the magazine had published a controversial interview with Ivanka Trump. Coles said "I'd like to think the Cosmo reader wants to know about mascara and the Middle East." She gave credit to Helen Gurley Brown, longtime Cosmopolitan editor and founder of our institute, for changing the magazine and producing real journalism. Of course she also said that HGB would probably have been the first to take a selfie or to send a sext. Finally, Coles commented on Cosmopolitan as a magazine. Despite her commitment to new platforms, she believes print will survive. Her own media diet includes time alone with stacks of magazines "absorbing the nutrients."
Coles also had some advice for our students. The rate of change in our industry is only accelerating, and this cohort is facing a complex, yet exciting, world of new platforms and new opportunities for journalism. New journalists, she said, need to be well informed and pay attention "when everyone else turns away." As for a work ethic? "You're not working hard enough!" She also spoke about the strength of loose ties in finding your next job. Oh and when we offered her a bottle of champagne in gratitude for her time at Columbia she advised, "Never drink on a story. It's the path to ruin and madness."
Thank you, Joanna Coles for taking the time out to visit our school. It was a gift!
Brown's magic grant team, Art++ is wrapping up their two-year project with a bang. On September 16, an exclusive VIP Reception was held as a preamble to the Cantor Art Center and Anderson Collection's Annual Members Reception. A packed room of art patrons, as well as a few supporters from the engineering program including Dean Persis Drell and Prof. Gordon Weitzstein, had an opportunity to see both the history and backroom of the application, as well as get a demonstration in the Cantor exhibit using the Art++ technology. .
The Stanford Daily has also focused in on this engaging application. In an article dated 16 September, reporter Christina Pan gave an overview of the origins of the project, and some of its impressive results.
The Art++ Demonstration exhibit remains open at the Cantor Arts Center through September 26.